Another film based on a true story, Patriots Day recounts the Boston Marathon bombing of 2013 and the investigation and manhunt that immediately followed. Director Peter Berg and star Mark Wahlberg continue their union committed to honoring proletarian American heroes in Patriots Day, a chronicle of the 2013 Boston. An account of the Boston Marathon bombing, PATRIOTS DAY is the powerful story of a community’s courage in the face of adversity. In the aftermath of an unspeakable. More about the film Patriots Day. It's been over two and a quarter centuries since local American militias routed the British at the Battle of Lexington and Concord. Patriots Day (film) - Wikipedia. Patriots Day is a 2. American thriller film about the 2. Boston Marathon bombing and the subsequent terrorist manhunt. The film is directed by Peter Berg and written by Berg, Matt Cook and Joshua Zetumer, based on the book Boston Strong by Casey Sherman and Dave Wedge. Now, a teaser trailer for the pair’s new film, Patriots Day, has debuted online, offering a glimpse at their latest reality-rooted project. Patriots Day Genre: Drama Regiss The film is unapologetic in its support of law enforcement. To watch a trailer for “Patriots Day,” click on the video player below. CBS Films has brought online the first trailer for Peter Berg's Patriots Day, starring Mark Wahlberg. The film opens in theaters on December 21. In 'Patriots Day,' his third collaboration with director Peter Berg, Mark Wahlberg plays a cop investigating the 2013 Boston Marathon bombing. Patriots' Day (officially Patriots' Day in Massachusetts and Wisconsin and Patriot's Day in Maine) is an official state holiday commemorating the anniversary of the. It stars Mark Wahlberg, J. Simmons, John Goodman, Kevin Bacon and Michelle Monaghan. Principal photography began on March 2. Quincy and Boston, Massachusetts. The film premiered on November 1. AFI Fest. Distributed by CBS Films and Lionsgate, Patriots Day opened in a limited release on December 2. January 1. 3, 2. 01. The film was chosen by National Board of Review as one of the top ten films of 2. Mark Wahlberg plays police officer Sgt. Simmons had joined the cast as Watertown PD Sgt. Yang joined the film's cast to play Dun Meng, who was carjacked by the Tsarnaev brothers. Evans, a Boston PD superintendent. All interior scenes at the FBI warehouse headquarters, as well as exterior 'command tent' scenes, were shot there. It had a red carpet premiere at the Boch Centre Wang Theater on December 1. On review aggregator. Rotten Tomatoes, the film holds an approval rating of 7. The site's critical consensus reads, . In his review for the Boston Globe, Ty Burr wrote: . British Board of Film Classification. Retrieved December 1. Retrieved January 1. National Board of Review. Retrieved November 2. Retrieved March 3. Retrieved April 3, 2. The Hollywood Reporter. Retrieved March 1. Simmons Joins Boston Marathon Bombing Pic 'Patriots Day'. Retrieved February 2. Retrieved March 2. Retrieved April 5, 2. Deval Patrick in 'Patriots Day'. Retrieved April 5, 2. The Hollywood Reporter. Retrieved March 2. Yang Joins 'Patriots Day'; Sally Kirkland Cast In 'Most Hated Woman In America'. Retrieved March 2. Retrieved May 6, 2. Retrieved May 6, 2. The Hollywood Reporter. Retrieved May 6, 2. Retrieved May 6, 2. Retrieved May 6, 2. Retrieved April 4, 2. Retrieved April 3, 2. Retrieved April 3, 2. On Location Vacations. Retrieved March 2. Retrieved March 8, 2. On Location Vacations. Retrieved March 8, 2. Retrieved March 2. Retrieved March 8, 2. Retrieved March 8, 2. Retrieved March 8, 2. Retrieved March 8, 2. Retrieved March 3. Retrieved March 3. Wicked Local Weymouth. Retrieved May 6, 2. Retrieved October 2, 2. Retrieved December 1. The Hollywood Reporter. Retrieved March 8, 2. Retrieved January 1. Retrieved January 1. Retrieved December 2. Retrieved December 2. National Board of Review. Retrieved November 2. The director’s second big- screen release of the year — and his third portrait of frontline heroism starring Mark Wahlberg, after Lone Survivor and Deepwater Horizon — the movie is, for Berg, a characteristically high- powered rendition of a real- world disaster that’s still fresh in the collective memory. If nothing else, Berg proves himself a master of filmmaking efficiency; he made this technically complex action piece, which took its bow in the closing- night slot at AFI Fest, in a matter of months. Set for a limited holiday opening in New York, Los Angeles and Boston, it should click strongly with moviegoers, especially after its mid- January expansion into the heartland. Written by Berg, Matt Cook and Joshua Zetumer, the movie is a countdown thriller to a disaster we all know is coming. Beginning hours before the 2. Boston’s world- renowned race and moving through the manhunt that follows it, the story jumps among survivors, first responders and investigators, with Wahlberg filling the Everyman shoes, and providing a typically likable focal point, as fictional character Tommy Saunders, a sergeant with the Boston PD. As Saunders, Wahlberg is no less engaging than in any of his somewhat underappreciated screen performances. Yet this is the least interesting of the men of duty he’s played for Berg, more a stand- in for the American working- class hero than a fully fleshed character, albeit one who’s married to an exceptionally clear- eyed woman, played with dependable grit by Michelle Monaghan. It’s no fault of Wahlberg’s when his brief third- act monologue remains a screenwriterly statement of theme, never finding a pulse. But as a man of action, he’s thoroughly convincing. Fighting his way back from an injury that has sidelined him on the job, Saunders considers his marathon- day assignment an insult. With his neon- yellow vest, he feels like a crossing guard in a clown suit, but when the spring day is shattered by incomprehensible violence, he springs into action, limp and all. In the ensuing days of investigation, he puts his homicide experience to work to interview victims and witnesses, his know- how explained rather than explored. With a strong assist from production designer Tom Duffield, Berg captures the fascinating speed and precision with which the feds, led by FBI Special Agent Richard Des. Lauriers (a fittingly terse Kevin Bacon), set up a command center in the Black Falcon Terminal, a vintage warehouse on the city’s waterfront, for their digital and DNA forensics. Even so, procedural matters aren’t Berg’s focus so much as the on- the- ground manhunt and its every high- octane thrill. But first, the setup. It’s a given that every introduced character will be, in one way or another, a victim of the attacks. They include a young married couple (Rachel Brosnahan, Christopher O’Shea), an MIT security guard (Jake Picking) and Dun Meng (a superb Jimmy O. Yang), the Chinese app designer whose carjacking by the Tsarnaevs is by far the most tense, suspenseful and involving portion of the movie. Elsewhere, the film offers up generic clashes between local cops and the feds, with John Goodman’s Ed Davis, commissioner of the Boston Police Department, sounding off in favor of swift action. Bacon’s FBI honcho has no less a sense of urgency, but he’s more attuned to political currents and potential pitfalls, and seeks a more measured public stance — until, that is, the identifying surveillance photos of the perpetrators, Tamerlan (Themo Melikidze) and Dzhokhar Tsarnaev (Alex Wolff), are leaked to Fox News. Melikidze and Wolff lend nuance to their portrayals of the brothers — respectively, threateningly charismatic controller and seemingly depressive acolyte — but the Tsarnaevs aren’t of particular interest to Berg except as villains. As for the elder Tsarnaev’s wife (Melissa Benoist), she figures in a standout scene in which an enigmatic police interrogator, played commandingly by Khandi Alexander, reads her the riot act. Simmons is the epitome of old- school cool as Sergeant Jeffrey Pugliese of the police department in neighboring Watertown, where Dzhokhar’s attempted escape famously ends in a backyard boat. Berg recreates the marathon explosions themselves with full- frontal pandemonium, a confusion of blood and noise as limbs are severed and families are torn apart, rushed to separate hospitals. Schliessler’s restless camerawork expertly evokes the unspeakable panic and confusion, it can also feel self- consciously kinetic. Pulling back from explicit imagery, he crafts striking aerial shots of the city that poignantly suggest its upheaval. Throughout the film, the score by Trent Reznor and Atticus Ross intensifies the action with its relentless jabs and tremors, from chords to ticks to clangs to heart- pounding drumbeats. Yet however technically proficient the movie, however heartfelt its admiration for everyone who worked feverishly to contain the damage, nothing in the narrative proves remotely as affecting as the documentary footage and interviews that Berg includes at film’s end. Some stories don’t require special effects. Distributor: CBS Films/Lionsgate. Production companies: Closest to the Hole Productions, Leverage Entertainment, Bluegrass Films, Hutch Parker Entertainment. Cast: Mark Wahlberg, Kevin Bacon, John Goodman, J. K. Simmons, Michelle Monaghan, Alex Wolff, Themo Melikidze, James Colby, Michael Beach, Rachel Brosnahan, Christopher O’Shea, Jake Picking, Jimmy O. Yang, Vincent Curatola, Melissa Benoist, Khandi Alexander. Director: Peter Berg. Screenwriters: Peter Berg, Matt Cook, Joshua Zetumer. Producers: Scott Stuber, Mark Wahlberg, Hutch Parker, Dylan Clark, Stephen Levinson, Dorothy Aufiero, Michael Radutzky. Executive producers: Eric Johnson, Paul Tamasy, Nicholas Nesbitt, Dan Wilson, John Logan Pierson, Louis G. Friedman. Director of photography: Tobias A. Schliessler. Production designer: Tom Duffield. Costume designer: Virginia B. Johnson. Editors: Gabriel Fleming, Colby Parker Jr. Composers: Trent Reznor, Atticus Ross. Casting: Sheila Jaffe. Rated R, 1. 33 minutes.
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